Patterns of Intuition (Record no. 55104)
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000 -LEADER | |
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fixed length control field | 03273nam a22005415i 4500 |
001 - CONTROL NUMBER | |
control field | 978-94-017-9561-6 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20200421111703.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 150111s2015 ne | s |||| 0|eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
ISBN | 9789401795616 |
-- | 978-94-017-9561-6 |
082 04 - CLASSIFICATION NUMBER | |
Call Number | 006.3 |
245 10 - TITLE STATEMENT | |
Title | Patterns of Intuition |
Sub Title | Musical Creativity in the Light of Algorithmic Composition / |
300 ## - PHYSICAL DESCRIPTION | |
Number of Pages | VIII, 421 p. 197 illus. |
505 0# - FORMATTED CONTENTS NOTE | |
Remark 2 | Outline of the compositional structure(s) to be investigated -- The algorithms/procedures used -- Findings -- Improvisation in Trees -- Electronic Music for an Acoustic Piano -- Forbidden Melodies -- The Semantics of a String Quartet -- Comments from renowned scientists from related research areas of Algorithmic Composition, Musicology, Artistic Research, Creativity. |
520 ## - SUMMARY, ETC. | |
Summary, etc | The present book is the result of a three year research project which investigated the creative act of composing by means of algorithmic composition. Central to the investigation are the compositional strategies of 12 composers, which were documented through a dialogic and cyclic process of modelling and evaluating musical materials. The aesthetic premises and compositional approaches configure a rich spectrum of diverse positions, which is reflected also in the kinds of approaches and methods used. These approaches and methods include the generation and evaluation of chord sequences using genetic algorithms, the application of morphing strategies to research harmonic transformations, an automatic classification of personal preferences via machine learning, and an application of mathematical music theory to the analysis and resynthesis of musical material. The second part of the book features contributions by Sandeep Bhagwati, William Brooks, David Cope, Darla Crispin, Nicolas Donin, and Guerino Mazzola. These authors variously consider the project from different perspectives, offer independent approaches, or provide more general reflections from their respective research fields. |
700 1# - AUTHOR 2 | |
Author 2 | Nierhaus, Gerhard. |
856 40 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | http://dx.doi.org/10.1007/978-94-017-9561-6 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | eBooks |
264 #1 - | |
-- | Dordrecht : |
-- | Springer Netherlands : |
-- | Imprint: Springer, |
-- | 2015. |
336 ## - | |
-- | text |
-- | txt |
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337 ## - | |
-- | computer |
-- | c |
-- | rdamedia |
338 ## - | |
-- | online resource |
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347 ## - | |
-- | text file |
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-- | rda |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Computer science. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Music. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Artificial intelligence. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | System theory. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Physics. |
650 #0 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Complexity, Computational. |
650 14 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Computer Science. |
650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Artificial Intelligence (incl. Robotics). |
650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Complex Networks. |
650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Complex Systems. |
650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Music. |
650 24 - SUBJECT ADDED ENTRY--SUBJECT 1 | |
-- | Complexity. |
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-- | ZDB-2-SCS |
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