000 | 03591nam a22004695i 4500 | ||
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001 | 978-3-319-16474-8 | ||
003 | DE-He213 | ||
005 | 20200421111851.0 | ||
007 | cr nn 008mamaa | ||
008 | 150529s2015 gw | s |||| 0|eng d | ||
020 |
_a9783319164748 _9978-3-319-16474-8 |
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024 | 7 |
_a10.1007/978-3-319-16474-8 _2doi |
|
050 | 4 | _aNA2850-2853 | |
050 | 4 | _aNK1700-2195 | |
050 | 4 | _aNX650.I57 | |
072 | 7 |
_aAMR _2bicssc |
|
072 | 7 |
_aARC007000 _2bisacsh |
|
082 | 0 | 4 |
_a729 _223 |
100 | 1 |
_aSully, Anthony. _eauthor. |
|
245 | 1 | 0 |
_aInterior Design: Conceptual Basis _h[electronic resource] / _cby Anthony Sully. |
264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2015. |
|
300 |
_aXXVII, 240 p. 294 illus., 238 illus. in color. _bonline resource. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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505 | 0 | _aPlanning Concept -- Circulation Concept -- Three Dimensional Concept -- Construction Concept -- Material Concept -- Colour Concept -- Lighting Concept. | |
520 | _aMaximizing reader insights into interior design as a conceptual way of thinking, which is about ideas and how they are formulated. The major themes of this book are the seven concepts of planning, circulation, 3D, construction, materials, colour and lighting, which covers the entire spectrum of a designer's activity. Analysing design concepts from the view of the range of possibilities that the designer can examine and eventually decide by choice and conclusive belief the appropriate course of action to take in forming that particular concept, the formation and implementation of these concepts is taken in this book to aid the designer in his/her professional task of completing a design proposal to the client. The purpose of this book is to prepare designers to focus on each concept independently as much as possible, whilst acknowledging relative connections without unwarranted influences unfairly dictating a conceptual bias, and is about that part of the design process called conceptual analysis. It is assumed that the site, location, building and orientation, as well as the client's brief of activities and needs have been digested and analysed to provide the data upon which the design process can begin. Designed as a highly visual illustrative book, as the interior design medium demands, the hands-on creative process of designing is detailed with original drawn illustrations. Concentrating on the conceptual process of designing interiors, and defining what these concepts are, this book will help the designer to organise his/her process of designing and to sharpen the links between the various skill bases necessary to do the job. This book will be stimulating for students and instructors alike and is aimed at any student who maybe majoring in interior design, interior architecture, architecture, design thinking or furniture design. It could also be a useful reference for students of design management and design leadership. | ||
650 | 0 | _aArchitecture. | |
650 | 0 | _aBuilding materials. | |
650 | 1 | 4 | _aArchitecture / Design. |
650 | 2 | 4 | _aInterior Architecture. |
650 | 2 | 4 | _aBuilding Materials. |
650 | 2 | 4 | _aArchitectural History and Theory. |
710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer eBooks | |
776 | 0 | 8 |
_iPrinted edition: _z9783319164731 |
856 | 4 | 0 | _uhttp://dx.doi.org/10.1007/978-3-319-16474-8 |
912 | _aZDB-2-ENG | ||
942 | _cEBK | ||
999 |
_c56128 _d56128 |