000 | 03044nam a22004935i 4500 | ||
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001 | 978-4-431-55423-3 | ||
003 | DE-He213 | ||
005 | 20200421112047.0 | ||
007 | cr nn 008mamaa | ||
008 | 150226s2015 ja | s |||| 0|eng d | ||
020 |
_a9784431554233 _9978-4-431-55423-3 |
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024 | 7 |
_a10.1007/978-4-431-55423-3 _2doi |
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050 | 4 | _aTA365-367.5 | |
072 | 7 |
_aTTA _2bicssc |
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072 | 7 |
_aTEC001000 _2bisacsh |
|
082 | 0 | 4 |
_a620.2 _223 |
100 | 1 |
_aAndo, Yoichi. _eauthor. |
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245 | 1 | 0 |
_aOpera House Acoustics Based on Subjective Preference Theory _h[electronic resource] / _cby Yoichi Ando. |
264 | 1 |
_aTokyo : _bSpringer Japan : _bImprint: Springer, _c2015. |
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300 |
_aXIV, 179 p. 130 illus., 8 illus. in color. _bonline resource. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 1 |
_aMathematics for Industry, _x2198-350X ; _v12 |
|
505 | 0 | _aIntroduction -- Analyses of Temporal Factors of a Source Signal -- Formulations and Simulation of the Sound Field -- Model of Auditory-Brain System -- Temporal- and Spatial-Primary Percepts of the Sound and the Sound Field -- Theory of Subjective Preference for the Sound Field -- Examination of Subjective Preference Theory in an Existing Opera House -- Reverberance of the Sound Field -- Improvements of Subjective Prefences for Listeners and Performers -- Optimizing Room-Form -- Visual Temporal Sensations on the Stage Blending with Opera and Music -- Design Theory of Opera House Stage Persisting Individual Creations -- Appendix Appendix Comparison between Measured Orthogonal Factors Using a Dummy Head and Four Human-Real Heads. | |
520 | _aThis book focuses on opera house acoustics based on subjective preference theory; it targets researchers in acoustics and vision who are working in physics, psychology, and brain physiology. This book helps readers to understand any subjective attributes in relation to objective parameters based on the powerful and workable model of the auditory system. It is reconfirmed here that the well-known Helmholtz theory, which was based on a peripheral model of the auditory system, may not well describe pitch, timbre, and duration as well as the spatial sensations described in this book, nor overall responses such as subjective preference of sound fields and the annoyance of environmental noise. | ||
650 | 0 | _aEngineering. | |
650 | 0 | _aAcoustical engineering. | |
650 | 0 | _aBuilding construction. | |
650 | 0 | _aCognitive psychology. | |
650 | 1 | 4 | _aEngineering. |
650 | 2 | 4 | _aEngineering Acoustics. |
650 | 2 | 4 | _aBuilding Physics, HVAC. |
650 | 2 | 4 | _aCognitive Psychology. |
710 | 2 | _aSpringerLink (Online service) | |
773 | 0 | _tSpringer eBooks | |
776 | 0 | 8 |
_iPrinted edition: _z9784431554226 |
830 | 0 |
_aMathematics for Industry, _x2198-350X ; _v12 |
|
856 | 4 | 0 | _uhttp://dx.doi.org/10.1007/978-4-431-55423-3 |
912 | _aZDB-2-ENG | ||
942 | _cEBK | ||
999 |
_c56989 _d56989 |