000 06001nam a2200577 i 4500
001 7982998
003 IEEE
005 20220712204909.0
006 m o d
007 cr |n|||||||||
008 170801s2017 maua ob 001 eng d
019 _a989038275
_a989700202
020 _a9780262339834
_qelectronic bk.
020 _z0262339838
_qelectronic bk.
020 _z9780262036139
020 _z0262036134
035 _a(CaBNVSL)mat07982998
035 _a(IDAMS)0b00006485e12fc4
040 _aCaBNVSL
_beng
_erda
_cCaBNVSL
_dCaBNVSL
050 4 _aN8257.5
_b.N48 2017eb
082 0 4 _a302.23
_223
100 1 _aNeumark, Norie,
_eauthor.
_925129
245 1 0 _aVoicetracks :
_battuning to voice in media and the arts /
_cNorie Neumark.
264 1 _aCambridge, Massachusetts :
_bThe MIT Press,
_c[2017]
264 2 _a[Piscataqay, New Jersey] :
_bIEEE Xplore,
_c[2017]
300 _a1 PDF (xiii, 215 pages) :
_billustrations.
336 _atext
_2rdacontent
337 _aelectronic
_2isbdmedia
338 _aonline resource
_2rdacarrier
490 1 _aLeonardo book series
504 _aIncludes bibliographical references and index.
505 0 _aSeries Foreword; Leonardo/International Society for the Arts, Sciences, and Technology (ISAST); Acknowledgments; 1 Introduction: Voice, Voicetracks, New Materialism; Ahem ... clearing the throat; Finding the write voice; Tracking voices; Affects, emotions, and feelings...; Listening to human voice; Listening beyond human(ist) voices: new materialities, new subjectivities; New materialism; Enchanted listening; Listening through 'pataphysics; Returning to breathing, coughing, and materiality-clearing the throat, once more; Situated and carnal knowledge; Voicetracks
505 8 _aVoice, sound and new materialism, once moreAnd to follow ...; The write voice, one more time; 2 Animal Tracks: Affect, Aesthetics, Ethics; Kathy's cat: Kitty and kitty assembled in the face of death; Becoming-animal and attunement; Attunement, empathy, and sympathy; Ethics and politics; Gut, ventre, ventriloquism; AKKKKK-the birds-noisy voices we learn to hear; The birds and the bees-humming, vibrating, morphing; Moving (with) animals; How to talk to a parrot and listen to a mussels' singalong; Enchanted terrains ... to follow; 3 Ears to the Ground: Voicing Place; Vibration and transperception
505 8 _aThings vibrating (in) placeRemembering place; When a house speaks for itself; Waiting; Wondering and wandering through riceworks; Stemning-voicing atmospheres; Ears to the ground; Voice, breath, and place; Fragile ground; Spanning environments; And to follow; 4 Technology and Machines Speak (for) Themselves; A transitional piece; Loudspeakers, loud speakers; Speakers ... again and again and again ...; Sonification; Code and data speak differently; Opaque voices; Vociferous robotic assemblages; Robots softly spoken; Static movement ... voicing the static; Dirty voices: toying with technologies
505 8 _aRatatattating tattoosRepetition and memory; Speaking of documentation encounters; When videotapes silently speak their memories; When a fridge became a cow; 5 Unvoice in Media and the Arts: Voice Going off the Rails; Off the rails and off the beaten track: medianatures, minor aesthetics, ekphrasis; The best thing about animation; Unvoicing machinima; Lip sync; Inhabiting voicetracks; Unvoicing portraits; Performing reperforming; Subtitles and remixes; Accidental unvoices; Rethinking animal voices with Henri; Rethinking animal voices-bear life; Artaud again ...; .. -- And again
505 8 _aThe uncertainties of unvoicing6 Tracking Back; Conversations, once again; Ahhh, ahem, cough ... from Talking about the Weather to Coalface; Back at the coalface; Silences and the hauntings of voice; Silence and shadows; The write voice for the final word; Notes; Chapter 1; Chapter 2; Chapter 3; Chapter 4; Chapter 5; Chapter 6; References; Index
506 _aRestricted to subscribers or individual electronic text purchasers.
520 8 _aMoved by the Aboriginal understandings of songlines or dreaming tracks, Norie Neumark's Voicetracks seeks to deepen an understanding of voice through listening to a variety of voicing/sound/voice projects from Australia, Europe and the United States. Not content with the often dry tone of academic writing, the author engages a "wayfaring" process that brings together theories of sound, animal, and posthumanist studies in order to change the ways we think about and act with the assemblages of living creatures, things, places, and histories around us. Neumark evokes both the literal - the actual voices within the works she examines - and the metaphorical -- in a new materialist exploration of voice encompassing human, animal, thing, and assemblages. She engages with artists working with animal sounds and voices; voices of place, placed voices in installation works; voices of technology; and "unvoicing," disturbances in the image/voice relationship and in the idea of what voice is. She writes about remixes, the Barbie Liberation Organisation, and breath in Beijing, about cat videos, speaking fences in Australia, and an artist who reads (to) the birds. Finally, she considers ethics and politics, and describes how her own work has shaped her understandings and apprehensions of voice.
530 _aAlso available in print.
538 _aMode of access: World Wide Web
588 _aPrint version record.
650 0 _aVoice in art.
_925130
650 0 _aNew media art
_xThemes, motives.
_925131
655 4 _aElectronic books.
_93294
710 2 _aIEEE Xplore (Online Service),
_edistributor.
_925132
710 2 _aMIT Press,
_epublisher.
_925133
776 0 8 _iPrint version:
_aNeumark, Norie, author.
_tVoicetracks
_z9780262036139
_w(DLC) 2016039113
_w(OCoLC)957656397
830 0 _aLeonardo book series.
_923629
856 4 2 _3Abstract with links to resource
_uhttps://ieeexplore.ieee.org/xpl/bkabstractplus.jsp?bkn=7982998
942 _cEBK
999 _c73507
_d73507