| 000 | 03193nam a22005415i 4500 | ||
|---|---|---|---|
| 001 | 978-3-030-15046-4 | ||
| 003 | DE-He213 | ||
| 005 | 20220801214738.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 190425s2019 sz | s |||| 0|eng d | ||
| 020 |
_a9783030150464 _9978-3-030-15046-4 |
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| 024 | 7 |
_a10.1007/978-3-030-15046-4 _2doi |
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| 050 | 4 | _aTA365-367.5 | |
| 072 | 7 |
_aTTA _2bicssc |
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| 072 | 7 |
_aTEC001000 _2bisacsh |
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| 072 | 7 |
_aTTA _2thema |
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| 082 | 0 | 4 |
_a620.2 _223 |
| 100 | 1 |
_aBraasch, Jonas. _eauthor. _4aut _4http://id.loc.gov/vocabulary/relators/aut _940197 |
|
| 245 | 1 | 0 |
_aHyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills _h[electronic resource] / _cby Jonas Braasch. |
| 250 | _a1st ed. 2019. | ||
| 264 | 1 |
_aCham : _bSpringer International Publishing : _bImprint: Springer, _c2019. |
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| 300 |
_aXII, 205 p. 160 illus., 1 illus. in color. _bonline resource. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 1 |
_aCurrent Research in Systematic Musicology, _x2196-6974 ; _v6 |
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| 505 | 0 | _aIntroduction -- Acoustics of the Saxophone -- Extended Techniques for the Saxophone.-Deep Listening -- Grafted Instruments -- The Sonic Circle -- Sound Radiation, Recording, and Environment -- Epilogue -- References -- Index -- About the Author. | |
| 520 | _aThis book presents a novel method of grafting musical wind instruments by exchanging an instrument’s standard mouthpiece with different tone generators. Using the concrete example of the soprano saxophone, it describes how, with six other tone generators, including brass, double reed, and free reed mechanisms, the saxophone can be extended to nearly every wind instrument category in the von Hornbostel and Sachs classification system. The book demonstrates how it is possible to play these instrument variations with high proficiency, and describes the method of hyper-specialization, including acoustical insights, conservatory training methods and the underlying philosophy. The latter is based on the cultural traditions of the different wind instrument prototypes and the Deep Listening philosophy of cultivating internal diversity, and approach that leads to a new level of wind instrument virtuosity that offers great timbral variety combined with the flexibility of a regular acoustic wind instrument. . | ||
| 650 | 0 |
_aAcoustical engineering. _99499 |
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| 650 | 0 |
_aMusic. _933537 |
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| 650 | 0 |
_aAcoustics. _919841 |
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| 650 | 1 | 4 |
_aEngineering Acoustics. _931982 |
| 650 | 2 | 4 |
_aMusic. _933537 |
| 650 | 2 | 4 |
_aAcoustics. _919841 |
| 710 | 2 |
_aSpringerLink (Online service) _940198 |
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| 773 | 0 | _tSpringer Nature eBook | |
| 776 | 0 | 8 |
_iPrinted edition: _z9783030150457 |
| 776 | 0 | 8 |
_iPrinted edition: _z9783030150471 |
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_iPrinted edition: _z9783030150488 |
| 830 | 0 |
_aCurrent Research in Systematic Musicology, _x2196-6974 ; _v6 _940199 |
|
| 856 | 4 | 0 | _uhttps://doi.org/10.1007/978-3-030-15046-4 |
| 912 | _aZDB-2-ENG | ||
| 912 | _aZDB-2-SXE | ||
| 942 | _cEBK | ||
| 999 |
_c76702 _d76702 |
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